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Tool (продолжение)
Andy: Про инструмент.
Ziggy Pop: Coma нет ещё, работой завалили в последние 2 дня, щас доберусь до него, спасибо;)
Coma: Ziggy Pop пишет: щас доберусь до него, спасибо;) =) не подскажешь, где-нибудь можно стащить 21st Century Schizoid Man Фриппа с Мэйнардом? (если уже здесь не выкладывали..)
Ziggy Pop: да было дело такое=) вот: http://www.megaupload.com/?d=51VM33RF The Human Experimente - "21st Century Schizoid Man"_2009_digital single (feat. Robert Fripp, Maynard James Keenan, Jeff Fayman) The long-awaited version of 21st Century Schizoid Man, featuring vocals by Maynard James Keenan (Tool) and Robert Fripp (King Crimson) on guitar, is available today as a digital single. The single is the brainchild of composer Jeff Fayman and moving force behind The Human Experimente. There’s a short piece about it here. Long term readers will recall that Jeff used to be one of the DGM diarists and that Fayman and Fripp have previously collaborated on the ambient music album, A Temple In The Clouds. The single is available today from the usual online suppliers. It’d be nice to think that between Tool and KC fans we might see Schizoid Man enter the singles charts 40 years after it was first released.
Coma: Ziggy Pop meow!!! шпасибо большое!! %)
Ziggy Pop: Coma пишет: meow!!! =))
Coma: ha-ha )) --- Ziggy Pop пишет: 21st Century Schizoid Man"_ послушала, а ничего так получилось!понравилось! правда при первом прослушивании показалось, что начало слишком какое-то пафосное вышло %) но вот сейчас, в 4й раз, в целом радует ;) а больше у них ничего совместного не было?
Ziggy Pop: Coma пишет: а больше у них ничего совместного не было? неа, не было. Фрипп работает зато над совместным альбомом с Адамом Dжонсом, правда когда он выйдет - неизвестно, особенно учитывая тот факт, что Tool сейчас пишут 5-ый альбом. Coma пишет: правда при первом прослушивании показалось, что начало слишком какое-то пафосное вышло %) мне вообще King Crimson не понравился в первый раз, с дебютного альбома начинал, а потом пошло-поехало;) а кавер нормальный, Фрипп в свои 60 с копейками на гитаре наяривает мощно, и Мэйнарда через примочку пропустили, голос вообще не узнать=)
Coma: Ziggy Pop пишет: мне вообще King Crimson не понравился в первый раз, с дебютного альбома начинал да? а мне сразу по душе пришлось, правда знакомство с группой началось с альбома Red , а потом было уже всё остальное.. ) Ziggy Pop пишет: Фрипп в свои 60 с копейками на гитаре наяривает мощно это точно интересно всё же, что выйдет из совместного творчества Джонса и Фриппа
Ziggy Pop: Coma пишет: интересно всё же, что выйдет из совместного творчества Джонса и Фриппа сложно сказать, посмотрим Coma пишет: Red сейчас один из любимых, наравне с Islands;)
Ziggy Pop: • July 10 Key Arena, Seattle, WA
Ziggy Pop: • July 12 Bill Graham Civic, San Francisco, CA Jello Biafra and the Guantanamo School of Medicine supporting "How many of you are under 21?" Tool singer Maynard James Keenan asked an adoring public at Bill Graham Civic Auditorium last night. A steady flight of hands from the black-clad audience went vertical in response. "You people were sperm before this song was written," Keenan spat, in a rare, between-song comment. And then the band lashed into a skull-numbing take on "Intolerance," the opening track from its first, frighteningly brutal full-length record, Undertow. "Frighteningly brutal" could describe much of last night's Tool show, but this band never goes for bonehead thunk alone. In a selection of songs spanning its now two-decade career -- precisely played and presented with maximum theatrics -- Tool not only made a convincing case for heavy music in general, but for itself as one of the most innovative, creative and intelligent outfits still getting sweaty seas of young men to bang their heads and raise Dio's devil horns high in the air. Tool mediated its heaviness with airy interludes, ambient noise, and virtuosic precision. If the band in any way compromised its visually arresting, nuclear-strength vision of how its music should be presented, it did not show. The visual aspects of last night's show could fill an entire review on their own. Giant screens were everywhere: one each under Danny Carey's drum platform and Keenan's elevated singing outpost, one along the entire backside of the stage, two more elevated on both sides of the stage, and two more floating above the middle of the stage, both of which moved around throughout the set. They showed a blend of disturbing imagery from the band's notoriously creepy videos (ghost-colored half-humans performing surgery on one another; human-like embryos shuddering in pools of primordial soup) and a futuristic spray of abstract color patterns inspired by the band's album art. The screen shows -- and their beat-synched laser accompaniments -- almost eclipsed the presence of the four band members themselves. Almost. Through most of the set, Keenan appeared as a demonic, wriggling silhouette against a huge screen. Even from his singing platform, which was back by Danny Carey's drum kit, Keenan's wild black mohawk, sunglasses, and absurd fake mustache looked very, very weird. The singer swayed slowly and menacingly at some points, redoubling the impression of him as some devil-at-the-helm -- especially when he sang through his police-issue megaphone. Guitarist Adam Jones and bassist Justin Chancellor hung their long locks down over their strings, the sole humans at the front of the stage. Carey, Tool's almost too-skilled drummer, sat immersed in a labyrinth of percussion, screens, rack equipment, and even a gong, his giant arms shooting out of a yellow L.A. Lakers jersey. Tool fans are rabid -- especially about seeing the band live -- and it's not hard to see why. This band did more with four people last night than a lot of bands two with twice that. The heavy moments (you know, the parts everyone goes to a Tool show for) had the same all-consuming thud and barb they do on Tool's recordings. When the huge parts hit, those in the auditorium's sweaty pit writhed, shuddered, shouted, puffed harder on their joints, flashed devil horns, headbanged, and generally seemed to lose all grasp on the outside world. (It was hard to remember that there was an outside world when it was all over.) "Stinkfist" threw the giant room into a fit when its first titantic chord hit. The band drew out the middle section of "Lateralus" during the encore -- they tinkered last night with song tempos in several places -- but when the climax came, the sea of black t-shirts threw fists in the air and shouted every declaratory word. "We'll ride the spiral to the end/ We may just go where no one's been," Keenan shouted, at a moment when it seemed like nothing -- not an 8.0 earthquake, not a nuclear bomb -- could have been heavier than Tool. Not that it was all big-boned chording. Tool likes to be as drawn-out and as complex as possible with its music -- testing fans' patience in the service of proper anticipation, I guess -- and it didn't pass up any chance to get intricate last night. Time signatures switched constantly; silence appeared unexpectedly; riffs evolved subtly into other riffs; climaxes arrived and dissipated like clouds. This is all part of what makes Tool fans swoon. With so much processed sound swirling throughout the room, the resulting noise made it hard to follow a few songs. But the band compensated for that by playing many of their best-known numbers. For the encore, Keenan ditched his bodysuit and mohawk for a T-shirt and cowboy hat -- I guess showing off his Arizona vintner look. But he was no less menacing in the buff cowboy outfit. Especially not for the last song of the night -- the heavy, but also wordy "Aenima" -- which pretty much everyone shouted along to. This is where Keenan both invites the apocalypse and dismisses Hollywood. "Fuck these dysfunctional, insecure actresses," Keenan emphasized, and the black-clad males in the audience relished shouting along as the heaviness reached another high point. So what if they were sperm when Undertow was written? As last night's wide-ranging crowd proved, the might of Tool is all-consuming regardless of age. Intolerance was fat as F@#K. Who doubts his yelling ability now, huh? You could see the anger in his face, in his contortions. It was beautiful. It was raw. Thank you Tool. You know how to hit my G-Spot. The Patient is a whole different song live. Third Eye was glorious. I swear Adam teased Pushit. I did not have a heart attack, I know better. My girlfriend and I waited for almost an hour and then started wandering around backstage and met Justin.... Third Eye: Epic. Maynard should bring out the 'time travel' stories for this song instead of Intolerance, because it felt like being back on the Aenima tour. I have to say, Maynard was probably the most clear, and on top of the mix out of any of the Tool shows I've seen. Good job soundguys! MJK was out front of the mix and in the right spot. Now when's the new album, bitches?!?! =)))
Ziggy Pop: STEVE NILES & ADAM JONES COMIC BOOK RELEASED THE FIRST ISSUE of "30 DAYS OF NIGHT - THE X-FILES" by STEVE NILES and ADAM JONES has been released. More information here: http://popculturenetwork.com/article.php?story=20100714012111964
Coma: Ziggy Pop пишет: Now when's the new album, bitches?!?! классика не умрёт =)) Ziggy Pop пишет: STEVE NILES & ADAM JONES COMIC BOOK RELEASED первая обложка ничего, а вот третья - забавная какая-то =)
Ziggy Pop: Coma пишет: классика не умрёт =)) я этот вопрос (даже куда в более резких формах выраженный) задаю уже который год, всё круто, всё отлично, всё понравилось, но Б***Ь когда уже новее будет-то?!?! как-то так в общем=)) и тянется это после выхода каждого из альбомов, потому как запрягают они долго. Coma пишет: первая обложка ничего, а вот третья - забавная какая-то =) я б полистал, хочу прорисовку оценить
Ziggy Pop: more photoz from • July 12 Bill Graham Civic, San Francisco, CA
Ziggy Pop: летний мини-тур закончен, осталось подождать ещё года 2, и, того и гляди, новый альбом появится
Coma: Ziggy Pop пишет: осталось подождать ещё года 2 так долго?
Ziggy Pop: Coma пишет: так долго? вообще-то я надеюсь на 2011 год, как раз 5-летка выйдт очередная: 1996 - 2001 2001 - 2006 2006 - 2011 но вдруг это будет 2012?) как знать, всё может быть. Вот, один из поклонников столкнулся после концерта за сценой с могучим Дэнни, и тот ему сказал, что они втроём очень много пишут: talked to Danny after the show and he said him and Justin and Adam are writing a lot. Really excited. в общем, жду с моря погоды;)
Coma: Ziggy Pop пишет: на 2011 год, как раз 5-летка выйдет очередная: так вот, я про это и думала.. скорей бы уже
Ziggy Pop: Coma пишет: скорей бы уже всему своё время, не торопи события. Помню, как ждал нового альбома после выхода Aenima, 5 лет с 1996 по 2001 тянулись та-а-а-а-ак нереально долго, казалось, этот момент не настанет. Но это всё было из-за возраста и его физиолоических особенностей, в общем у любого человека до 20 лет время тянется медленнее, чем после этой цифры, медицинский научно доказанный факт. Nevermind короче;)
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