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Tool (ïðîäîëæåíèå)
Andy: Ïðî èíñòðóìåíò.
Ziggy Pop: sound check for red rocks. jambi âîò ýòî êðàñîòà... íåðåàëüíîå ìåñòî äëÿ êîíöåðòà, ïðÿì âàùå... ñóïåð.
Ziggy Pop: • July 1 Xcel Energy Center, St Paul, MN
Ziggy Pop: Jello Biafra supporting Tool According the Alternative Tentacles website Jello Biafra and the Guantanamo School of Medicine will be supporting Tool on their San Francisco and Sacramento dates later this month.
Ziggy Pop: Puscifer cover "Rocket Man" As has been promised since 2008, Maynard and Steve Drozd from The Flaming Lips have finally released their version of Elton John’s Rocket Man. The track, which is technically Puscifer + Steve Drozd, can now be streamed on Puscifer’s website. Ìýéíàðä â ðàìêàõ ñâîåãî 3-ãî ìóçûêàëüíîãî ïðîåêòà Puscifer ïåðåïåâàåò ïåñíþ Ýëòîíà Äæîíà "Rocket Man". Òðåê áûë çàïèñàí åù¸ â ïðîøëîì ãîäó è ñòàë äîñòóïåí òîëüêî ñåé÷àñ. õîðîøèé êàâåð ïîëó÷èëñÿ, ìíå ïîíðàâèëñÿ íå ìåíüøå, ÷åì êàâåð Ìýéíàðäà íà ïåñíþ "Holiday On The Moon" ãðóïïû Love & Rockets.  îáùåì, ïî ãîëîñó íåìíîãî ïîõîæå íà Perfect Circle, íî ýòî íå Perfect Circle, ðàâíî êàê è íå Tool. Äà çäðàâñòâóåò ïóñèôåðèàíñòâî. PUSCIFER - "Rocket Man" (Elton John cover)_5:28 http://www.megaupload.com/?d=SHFH8F9T
Ziggy Pop: 2007
Coma: Ziggy Pop ïèøåò: êàâåð Ìýéíàðäà íà ïåñíþ "Holiday On The Moon" ãðóïïû Love & Rockets. äà? õìì, íàäî ïîñëóøàòü=) àôèøêè îòëè÷íûå
Ziggy Pop: Coma ïèøåò: íàäî ïîñëóøàòü=) Puscifer - "Holiday On The Moon" (Love & Rockets cover)_5:08_2009 http://rghost.ru/2070149 ïåñíÿ âûøëà íà äèñêå "New Tales To Tell - A Tribute To Love And Rockets"_2009 http://www.discogs.com/Various-New-Tales-To-Tell-A-Tribute-To-Love-And-Rockets/master/185712
Ziggy Pop: TOUR POSTER WITH ADAM ARTWORK FOR SALE AT EDMONTON SHOW A Tool tour poster with some really nice artwork by ADAM that will be available at the MERCH BOOTH at the REXALL PLACE show in EDMONTON, AB on WEDNESDAY, JULY 7.
Ziggy Pop: Adam interviewed by Artist Direct July 7th, 2010 A new interview with Adam popped up today where he speaks with Rick Florino from Artist Direct. He talks about his art, his involvement in the recent X-Files comic and the idea of there being a Tool movie: If the Tool story were to be made into a movie, who would be the perfect director for it, other than yourself of course? (Adam) Wow, if it was made for TV, it would probably be Roger Corman. If it was a feature movie, it would probably have to be that German director Rainer Werner Maria Fassbinder, and it’d have to be in German with subtitles [Laughs]. I’m being positive but my life in Tool is exactly like Spinal Tap meets a Shakespearian play. So Spinal Tap meets Hamlet? Exactly, but in a good way [Laughs]. I really love being in Tool. I love what we do and the result of everything. There’s a lot of dysfunction but, at the end of the day, it’s amazing. Worth mentioning is that some of his art will be showing at the Alternative Press exhibition at the Merry Karnowsky Gallery in L.A, which opens on the 9th of July. According to the interview the piece on display will be the sculpture used for the Peach cover. http://www.artistdirect.com/entertainment-news/article/interview-adam-jones-of-tool-i-always-looked-at-what-i-wanted-do-in-life-like-a-movie-soundtrack-or-a-film/7322162
Coma: Ziggy Pop ïèøåò: ïåñíÿ âûøëà íà äèñêå "New Tales To Tell - A Tribute To Love And Rockets"_2009 íå çíàëà äàæå. ÷òî òàêîå åñòü îk, thanx =) Ziggy Pop ïèøåò: If it was a feature movie, it would probably have to be that German director Rainer Werner Maria Fassbinder, and it’d have to be in German with subtitles =))
Ziggy Pop: Another interview with Adam July 9th, 2010 Adam must have a few things to get off his chest at the moment as there is another interview with him, this time with Erin Broadly of LA Weekly. Once again it’s largely about is artwork rather than Tool. It also has this amusing anecdote: Adam Jones: Oh, absolutely. I’ve got a funny story for you. Tool was in Denver at Red Rocks and it was the second show we played. Those shows went great; it was really fun. But I was trying to hook up with Buzz from the Melvins because they were playing a show at the Ogden Theater and I realized we’re not going to make the show, they’re going to be done. I was like, "Hey, I’ll try to get out as fast as possible to see you guys," and they said, "Ok, we’ll wait for you." So I was telling everyone, "I really wanna go see the Melvins," and they said I could do a runner after the show — they’d get me right off stage, into a van, and get me out of there. [Laughs] I jump in the van after our show with Maynard and there are two cop cars. They put on their lights so we had this police escort going 80 or 90 miles an hour down the freeway to go see Buzz from the Melvins. [Laughs] My god. Adam Jones: [Laughs] It was the most rock cliche moment of my life. It was really funny. Those guys were all laughing at me. I told Buzz and Buzz goes, "Yeah, I had one of those once but they took me to jail." http://blogs.laweekly.com/westcoastsound/interviews/adam-jones-tool-alternative-pr/ ================================== Coma ïèøåò: íå çíàëà äàæå. ÷òî òàêîå åñòü íå ñëûøàë ïîëíîñòüþ, òîëüêî òðåê Ïóñèôåðà è âñ¸;)
Coma: Ziggy Pop ïèøåò: íå ñëûøàë ïîëíîñòüþ, òîëüêî òðåê Ïóñèôåðà è âñ¸;) ñêà÷àëà öåëèêîì, ïîñëóøàþ ÷òî òàì äà êàê =) íåïëîõàÿ ñêóëüïòóðà )
Ziggy Pop: Coma ïèøåò: ñêà÷àëà öåëèêîì, ïîñëóøàþ ÷òî òàì äà êàê =) óæå ñëóøàþ...))
Ziggy Pop: Adam on the new album July 10th, 2010 Yet another interview with Adam today, this time with Crave Online. As with the previous interviews, it largely focuses on the upcoming art gallery, however Adam does talk about the tour, the setlist, Maynards voice and the writing process for the new album: CraveOnline: I know you’re on tour now, but can you tell us anything about the new Tool record? Adam Jones: We’re writing, we’re writing. It’s going a little slow. We’re trying to get our feet wet, just basically the three of us. Maynard’s been busy with his wine and his other band. That’s usually how it is – we’ll write and write, and then he comes in last and starts putting stuff in. It works, it is what it is and it works. It’s good. I love it. I can’t really tell you any direction we’re taking or anything like that at this point. It just feels like the same as every time we get into it. We just write for ourselves, and when we’re happy with it we say alright, let’s go into the studio. I really like the process with those guys because we don’t worry about what worked on the last record or what’s selling or the single. You just write. You rip your guts out and… yeah. I’m so happy where I’m at and what I do with those guys. It just feels so good right now to be out on tour. CraveOnline: How do you keep it fresh on tour? How do you build on these songs you’ve been playing for so many years at this point? Adam Jones: This tour has been great because we’re actually doing a different setlist than we’ve been doing in the past. We’re getting older, and Maynard has trouble sometimes singing the older songs, from back when he was young and screaming his fucking head off all the time. His vocal chords are getting older and he can’t really do what he used to do all in a row in a string of back to back shows. So we’ve changed up the set a little bit, which feels really good. Once we actually get together and start playing, it’s so great. It’s so great hanging out with the guys and playing the songs. It comes back to keeping it fresh. Sometimes in the middle of a song we’ll start jamming, or go off on some tangent of a song and come back. That’s a great way to keep it fresh too. Also we keep adding to our show, we put a lot of money back into the show because we want it to be stimulating. We want all the senses to be on overdrive. More lights, more visuals, more lasers, more soundscapes. That’s what I would want in a show. CraveOnline: Sounds like we shouldn’t hold our breath for a Tool acoustic tour anytime soon. Adam Jones: Um…. I don’t think so. (laughs) http://www.craveonline.com/entertainment/music/article/adam-jones-of-tool-106467 Detail of more artwork by Adam hell yeah
Ziggy Pop:
Ziggy Pop: • July 7 Rexall Place, Edmonton, Canada Trying too hard to be unconventional is much preferable to trying too hard to fit in. Just ask Tool. Hey, at least they’re trying. Being different is the norm for these guys. So bonus points off the top for taking the rock ’n’ roll rule book, ripping it up and throwing the shreds out the window at Rexall Place on Wednesday night. More than 14,000 fans who sold out the joint were treated to a swirling maelstrom of sight and sound and sense and nonsense. Potent combination, whatever you want to call it. Art-metal? Prog-core? Whatever. This sort of show isn’t seen around these parts much — at least since the last Tool concert. Has “the new Pink Floyd” been used yet? It has? Many times? Well, Tool is the new Pink Floyd. Add it up: They never have hits on the radio, they still sell out large venues, their songs can stretch more than 10 minutes and they make themselves out to be faceless, rock star-free conglomerate whose sum is far bigger than its parts, including its flamboyant front-part Maynard James Keenan. You can’t accuse this guy of hogging the spotlight. In fact, Maynard stayed in the back most of the evening, hurling his vocal bombs — moans, growls, screams, wails, electronically messed up chanting, actual singing — from the shadows. His bandmates were lit up more than he was. And they basically just stood there, intent on performing the dense, complicated music that is Tool. Guitarist Adam Jones is a master at playing all the wrong notes in exactly the right places. His solos were epics of feed-backing atonality. Bassist Justin Chancellor could wring a sound from his axe that resembled a jackhammer, while drummer Danny Carey grappled with polyrhythms on top of polyrhythms and time signatures not found in nature. Filling the sonic gaps were big fat synths and sounds that wouldn’t be out of place on side two of Dark Side of the Moon. Yes, albums once had sides. In short, you’re not going to hear a 4/4, four-on-the-floor, four-minute rocker from these guys — and Tool will never be accused of being a “groove” band. There’s far too much going on to worry about grooving. The visual entertainment aspect of the show was the special effects: Blinding strobes, colour floodlights, laser beams, banks of TV screens showing some of that creepy animation you can see from Tool videos, among other psychedelic treats. It all set the mood for 10-minute art-metal songs that make King Crimson look like Nickelback. The show opened the good advice — “think for yourself, question authority” — the introductory chant to a rollicking version of Third Eye (12 minutes, but who’s counting). There came dramatic, surreal and absurdly self-indulgent material from four studio albums. Twenty years at it and only four records? Typical art rock geeks. The closest Tool has to a radio staple — Schism — came at least an hour into the show, drawing cheers from thousands. And a full five minutes of random noise preceded the encore of Lateralus, the title track to Tool’s great 2001 album. Still not sure what it all means. Keenan, or at least his silhouette, addressed his fans only once: “Good evening. For the next two hours, whatever goes outside these walls has nothing to do with what’s going on inside.” You could say that about any show in here, and in fact any event in any building shielded from the elements, but we caught his point: Tool is different and proud of it. Opening act Dalek officially falls into the musical category we call “out there.” It’s an experimental DJ-rapper duo whose material sounds like the soundtrack to the scary bits of the movie Aliens set to trance beats, or perhaps a giant robot suffering from gastrointestinal distress. In other words: Weird noise. Weirdly compelling noise, though, hypnotic, interesting, unpredictable. The only coherent word I could make out from the fat rapper dude amongst the trippy din was “motherf---er,” so no help here. Those who booed Dalek might’ve been better off thanking Tool for once again turning the conventional on its ear. Just say, “wow, didn’t see that coming!” It seems to be a rare thing in today’s concert business.
Ziggy Pop: • July 9 General Motors Place, Vancouver, Canada
Coma: btw, ñåãîäíÿ ñíèëñÿ øèçî-ñîí, ãäå äÿäþøêà Ãðýé ðàçðåçàë òóëîâñêèå àôèøû, ñîñòàâëÿÿ èç íèõ îãðîìíûé áåçóìíûé êîëëàæ... ìàðàçì êðåï÷àåò %)
Ziggy Pop: Coma ïèøåò: Ãðýé ðàçðåçàë òóëîâñêèå àôèøû, Àäàì Dæîíñ áû åìó òàêîãî íå ïðîñòèë;)
Coma: Ziggy Pop ïèøåò: Àäàì Dæîíñ áû åìó òàêîãî íå ïðîñòèë;) àãà)) õîòÿ.. ìîæåò ïîëó÷èëñÿ áû íåïëîõîé êîëëàæ...;) êñòàòè î Ãðýå, ÷èòàë ìîé ìèíè-îò÷¸ò?=)
ïîëíàÿ âåðñèÿ ñòðàíèöû