Форум » Другая музыка - Non-Pumpkins » Tool (продолжение) » Ответить

Tool (продолжение)

Andy: Про инструмент.

Ответов - 115, стр: 1 2 3 4 5 6 All

Ziggy Pop: басист тоже постарался ;) Tool tour poster was done by JUSTIN CHANCELLOR

Ziggy Pop: •June 23 Ford Center, Oklahoma City, OK

Ziggy Pop: Tool - "Intolerance"_22.06.2010_Cedar Park, TX http://www.megaupload.com/?d=QDDX4HT0 мощно жгут, черти вот так надо записывать бутлеги, звук хоть более-менее приличный


Coma: Ziggy Pop пишет: басист тоже постарался ;) классно, кстати!

Ziggy Pop: • June 25 Sprint Center, Kansas City, MO Tool at the Sprint Center By BILL BROWNLEE Special to The Star A recording of the voice of the late psychedelic drug proselytizer Timothy Leary echoed inside the Sprint Center at the onset of Tool's concert Friday. The relationship between music and illicit substances would be examined for the remainder of the quartet's two-hour performance. Tool occupies the conceptual space vacated by the dormant classic rock band Pink Floyd. The bands share similarly dour perspectives while performing music favored by users of recreational drugs. Although it hasn't issued an album since 2006, Tool's reputation as a live powerhouse attracted almost 16,000 fans. Most weren't there solely for music. Tool's multimedia presentation is more elaborate than the most enthusiastic devotee of the once-popular Pink Floyd-themed planetarium laser shows could have imagined. Seven video screens -- including two mobile monitors -- displayed hallucinatory effects and portions of the band's notoriously disturbing videos. Lasers and dry ice combined to form artificial banks of clouds near the ceiling of the cavernous arena. The exhibition was so eerily hypnotic that even the industrial noise and disorienting light display during a seven-minute intermission was transfixing. Not unlike spectators at an audacious fireworks display, the audience roared its approval at the introduction of each new visual element. The effects often elicited heartier cheers than did Tool's music. While lights occasionally illuminated the audience, the musicians onstage lurked in shadows. Vocalist Maynard James Keenan seemed especially reclusive. Even when he didn't employ a megaphone, Keenan resembled a sinister carnival barker. "It's all gonna work out," Keenan reassured the audience after a bout of unsettling sonic experimentation. The charismatic Keenan is a riveting figure, but he was the least important component of the band Friday. His vocals were deliberately downplayed in the remarkably rich sound mix. Keenan's demurral allowed the focus to shift to his exceptional band mates. Guitarist Adam Jones, bassist Justin Chancellor and drummer Danny Carey have forged a unique and wholly effective form of arena rock. Their droning introduction to "Vicarious" revealed the influence of avant-garde composer Glenn Branca. Such artful moments were balanced by the unrepentant bombast of material like "Stinkfist." Tool's stylistic range was held together by its futuristic aesthetic. Just as Tool's videos depict grossly deformed humanoids trapped in torturous dreamscapes, Tool's music is correspondingly cold and clinical. During "Intolerance," Tool distilled the most immediate elements of the Jimi Hendrix Experience, Cream and Led Zeppelin into something even louder and more malevolent. All traces of blues were excised, leaving only terrifyingly cold slabs of doom-laden metal. Tool's emotional range, consequently, is limited to rage, fear, panic and awe. This deliberate vacancy of warmth is a large part of Tool's appeal. A crack in Tool's steely veneer was revealed when the band was briefly joined by Ordy Garrison, the drummer for opening act Wovenhand. Garrison, who played as if Bo Diddley were on stage, injected a welcome dose of humanity into Tool's set. Carey, a native of Paola, Kan., displayed an uncharacteristically fiendish grin during Garrison's effort. Wovenhand offered a roots music-oriented version of the mysticism explored by Tool. Seemingly speaking in tongues and twitching like a man possessed by malicious spirits, vocalist and guitarist David Eugene Edwards evoked a captivating combination of Robert Johnson and Nick Cave. Although Wovenhand was favorably received, its gauzy drones would be better suited to a smoky opium den. Tool, conversely, clearly belongs in crowded sports arenas. While it's impossible to ascertain which element was more impressed, Tool's performance was enormously rewarding to sober and intoxicated fans alike.

Ziggy Pop: продам душу дъяволу за концерт

Coma: а ему нужна твоя душа?=) может он просто концерт организует где-нибудь поблизости =)

Ziggy Pop: Coma пишет: а ему нужна твоя душа?=) а этого мудака никто и не спрашивает, нужна она или нет, пшёл он вон ваще, пёс поганый, вечно от него никакого толку, сколько ни проси

Coma: Ziggy Pop пишет: вечно от него никакого толку, сколько ни проси он занят просто, особенно сейчас, я знаю

Ziggy Pop: зла на него нет, сука!! =)) я ему и воршип делаю, и кровь младенцев из больницы спиздил во время практики, а он, а он... тварь, я вычислю тебя, и ты мне ответишь за всё, парнокопытный !!! силы тьмы не помогают, силы света тоже, пора обратиться к третьему источнику

Coma: Ziggy Pop пишет: я ему и воршип делаю, и кровь младенцев из больницы спиздил во время практики, а он, а он... так ты его разбаловал совсем... эх.. тогда всё понятно =)

Ziggy Pop: Antiquiet has the good word about happenings in the A Perfect Circle camp: Songwriter Billy Howerdel and vocalist Maynard James Keenan are once again working together as A Perfect Circle, and new music from the beloved group is on the way. On Wednesday, Howerdel performed with his band Ashes Divide at The Viper Room in Hollywood, on the stage that A Perfect Circle was originally debuted on August 15th, 1999. After the set, the third of a four-night June residency, which featured a guest appearance by Keenan, we tracked down Howerdel for the good word. The possibilities of a full album and tour are both still very much in the air. However, Howerdel told us on the record that they're working on "something" that should be out this year. hell yeah, жду банкета

Ziggy Pop: • June 28 & 29, Red Rocks, CO вчера и сегодня группа выступает здесь, по-моему чем-то похоже на древний амфитеатр, разве что сцена только не в центре расположена. Очень живописное место. на разогреве - группа Dalek

Coma: Ziggy Pop пишет: группа выступает здесь красота... мощно будет

Ziggy Pop: вот бы в первый ряд нырнуть...

Coma: да... а ведь повезёт же кому-то, чтоб их всех.. =)

Ziggy Pop: • June 28, Red Rocks, CO

Ziggy Pop: • June 29, Red Rocks, CO set: Third Eye Jambi Stinkfist Vicarious Intension Right In Two Schism Flood Lateralus (with Dalek) Aenema First time ever for Intension - the FULL version!!! Followed by Right in Two, and Flood is back. Mark my words - the intro to Vicarious WILL be on the next album. Justin added a semi-lengthy bass tracking for the ambient work-in-progress. RED ROCKS - thank you! Best venue i've ever seen. I agree that the Vicarious Jam is a going to be on the next album, or something very similar. They added to it tonight...Justin did that is. Anyone notice Adam playing a little riff from No Quarter at the intro to Lateralus?? Its so tiny you can almost miss it...its the "they bring the news that must get through" riff. Not much, but its something. I was really interested in knowing what Danny, Adam and Maynard were talking about right before Lateralus, Maynard seemed to shake his head and then Danny and Adam looked to agree on something. Who knows, probably nothing.

Ziggy Pop: • June 28, Red Rocks, CO Maynard rarely spoke to the audience, except for a brief moment after about the first three songs, when he said, “I have a public service announcement—marijuana is illegal.” The audience raised their smoldering joints and screamed back, “Fuck you!” ;))

Ziggy Pop: • June 28 & 29, Red Rocks, CO



полная версия страницы