Ôîðóì » Äðóãàÿ ìóçûêà - Non-Pumpkins » Tool (ïðîäîëæåíèå) » Îòâåòèòü
Tool (ïðîäîëæåíèå)
Andy: Ïðî èíñòðóìåíò.
Ziggy Pop: Oregon radio station revealed that there would be a Tool date at the Matthew Knight Arena in Eugene on the 9th of March. Another source has suggested that this is legit and that further dates (at least in California and Washington) should be announced soon. Dates will all be before the Mexican shows. No word on how extensive this tour will be.
Ziggy Pop: Maynard's LA home in the Griffith Park/Hollywood Hills area is up for sale http://www.zillow.com/homedetails/3180-Hollyridge-Dr-Los-Angeles-CA-90068/20806416_zpid/ For Sale: $2,795,000 Last Sold: Jan 1990 for $80,000
Ziggy Pop:
Ziggy Pop: èòàê, 20 ëåò ñïóñòÿ íå ïðîøëî è ïîëãîäà, êàê ãðèòñÿ, îáúÿâèëè: Tool VIP ticket details announced After a successful trial as part of the Australian tour last year, it appears that Tool will be continuing VIP tickets for shows in the US in this upcoming tour. Details are a little sketchy, but it appears ticket swill go on sale via Toolarmy and Toolband the day before public sales. No price has been announced yet (I’m guessing around $300 based on the Australian prices), but this is what you get for your money: - One (1) VIP ticket for admission to concert show - Entry for one (1) to the VIP area in the venue - Access for one (1) to sound check with members of Tool - Q+A session with Adam Jones Exclusive merchandise pack including: 1. An exclusive Tool tour t-shirt 2. Poster 3. VIP laminate 4. Bag of goodies Disclaimer/restriction terms will be posted in the web stores along with purchase details. Details on the sale of these packages: We will do a very limited number of the VIP pack pre-sale for Portland, Eugene and San Francisco on Thursday (23rd). This will be on Toolarmy.com at 10:00am PST and then on Toolband.com at 3:00pm PST. Then we will do another small number of VIP pack pre-sales for Spokane and Reno on Friday (24th) at 10am PST on Toolarmy.com and 3pm PST on Toolband.com. òàê ÷òî ïðîøëîãîäíåå çàÿâëåíèå î òîì, ÷òî îíè "íå áóäóò áîëüøå äàâàòü êîíöåðòû, ïîêà íå âûéäåò íîâûé àëüáîì" - âðàíüå
Ziggy Pop: Tool have announced their first shows since 2013 Ozzfest performance as well as a short tour. You can view the dates below: March 4th @ Spokane, WA – Spokane Arena March 6th @ Portland, OR – MODO Center March 7th @ Eugene, OR – Matthew Knight Arena March 9th @ Reno, NV – Reno Event Center March 11th @ San Francisco, CA – Bill Graham Civic Center They have also been scheduled to perform on March 18th in Mexico City and March 21st for the Festival Cumbre Tajín 2014 along with Primus, Puscifer, and Tomahawk
Ziggy Pop:
Ziggy Pop:
Ziggy Pop:
Ziggy Pop:
Ziggy Pop:
Ziggy Pop:
Ziggy Pop: Tool (sans Maynard) have put on a private show for a bunch of WWE wrestlers in the Loft, and have posted some photographic evidence for us all to enjoy. Word is they played Sober, 46 & 2 and Schism at the request of those in attendance.
Ziggy Pop: Juliette Commagere – Vampire (Puscifer Remix) (2014) http://rghost.ru/52376189 "Maynard James Keenan, Mat Mitchell and I met at a Sbarro where I bought them pasta bowls and begged them to do a remix for me," Commagere tells Rolling Stone. "Sometimes I sing with their band Puscifer, and so I reminded them that they really owe me. Mat is one of the genius minds behind Puscifer, and between the two of them, they created this spooky and beautiful remix of my song 'Vampire.' When I first met these guys, I was really intimidated, but the truth is they are just cuddle-bunnies. I just wanted everyone to know that.” Juliette Commagere Remixes 'Vampire' - Song Premiere Maynard James Keenan and Mat Mitchell add spooky touches to the single http://www.rollingstone.com/music/news/juliette-commagere-remixes-vampire-song-premiere-20140113
Ziggy Pop:
Ziggy Pop: 4 March 2014 - Spokane Arena, Spokane, WA, USA 01 Hooker With A Penis 02 Vicarious 03 Schism 04 Pushit 05 Intension 06 Lateralus 07 #intermission# 08 Drum Solo 09 Jambi 10 46 & 2 11 Aenema 12 Stinkfist VIP-soundcheck (before the show): Pushit Schism Hooker
Ziggy Pop: Tool – 3/4/2014 Spokane Arena – Spokane, Washington Tool is another in a (too long of) line of great “1990’s bands” that I have wanted to see but never got the opportunity, for one reason or another. I have been getting many of these types of bands off my bucket list the last few years, Soundgarden, Rancid, Mudhoney, etc. But Tool was one that hadn’t really crossed my mind as a possibility for some reason. Needless to say, once I saw that Tool had announced some random new tour dates with the first show being in Spokane, an hour from home, I had to go. It’s not very often that a band of this stature hits Eastern Washington, much less as a tour opener. Being most familiar with Undertow and Ænima, I was hoping to hear a bunch of Tools older songs that I knew plus some other gems that I might not have known much about. To that end, the band did not disappoint. We got two “sets”, although they were pretty darn short. I am not sure the point of the twelve minute intermission 6 songs into the show, but who am I to complain? http://concertconfessions.com/2014/03/tool-342014-spokane-arena-spokane-washington/
Ziggy Pop:
vazonov11: ×òî-òî ññûëêè íå îòêðûâàþòñÿ.
Ziggy Pop:
Ziggy Pop: VIP experience / march 4th Spokane Arena, US After getting our VIP lanyards and some sexy red wristbands, we were ushered to a conference room, aptly called “The Champions Room.” We took our seats and spent some time talking among ourselves. I have to say that it impresses me how quickly die-hard Tool fans start talking like old friends. The excitement was on everyone’s faces and there was no way we could contain ourselves, even if it meant preaching to the choir. Adam shows up, shyly peaking around the corner at us. His first act of the afternoon was to let us know how nervous he was. This was a great insight into how down to Earth he is. It is easy to forget that these rock gods are mortal men like you and I, but his honesty and friendliness were apparent from the start. Everything from this point will be paraphrased (as far as insights, questions and answers) since I’m not a fucking stenographer and couldn’t record it. The no camera thing is quite serious. Be sure to only bring your camera phone and take pictures only when they say it is okay. Not saying you can’t sneak a few covert shots (I know many did) but who knows when they would draw the line. He started off giving us some insight into how some of the songs are written. Everyone brings their riffs into the loft, throws them around and then start plugging them together, experimenting with what sounds right. Things that sound shitty can end up sounding great, which gives everyone else ammunition for when their stuff gets rejected right out. It was fun listening to Adam talk about this creative process as being very organic and collaborative, a marriage of 4 very different egos, trying to make something new. During this discussion we got to hear Adam jam to Jambi with a click-track he had on his Iphone (the highlight of this bit, besides the intimate shredding of the guitar we were treated to, is when… I think… the phone fell off the chair and unplugged, mid song. Funny and jarring moment). He followed up with a quick clinic on the different rhythms they use; overlaying dissonant beats that meet up at the right moment to punch you in the nuts. Little bits of Lateralus and Pushit were used as an example of this theory. All I can say is “Pass the God damn butter.” The Q&A started after that. Adam was far better at this portion than I think he thought he would be. Very natural and relaxed. He made sure we knew we could ask about anything even when the next album is coming out, though nobody tried to pry into that one after he assured us that they ARE in fact working diligently. There were some great questions from the group, which was fun. Nobody asking what his favorite brand of peanut butter was. I’ll give a couple of examples… again, highly paraphrased (if you were there and can remember more, please post them in the comments!): Q: What do you think about when you are playing? A: My laundry. No, seriously. My mind will wander and I’ll suddenly jump back in and remember where I’m at. Don’t get me wrong, I take it seriously and I’m playing with heart, but it happens. Q: What kind of amps and pickups do you use to get your great sound? A: It is more about heart and attitude than what you are using. I think I’m mediocre (uh huh) but the attitude and the sound that I bring make it sound better. Q: Do certain songs represent certain members of the band more than others? A: Obviously Maynard is responsible for the lyrics and what you hear there. The whole songs are very collaborative and are a result of everyone pitching ideas. Sometimes song titles can be a specific suggestion from someone. (Adam then talked about suggesting the name Prison Sex for that song, which Maynard thought was great). Q: You recently became a father, and mentioned in a past interview how your songs come from one idea or theme, and then are nurtured to become something else. What effect, if any, or what idea or wisdom do you hope your music can pass on to your kids? A: I really don’t want to be that guy, but I think about my son all the time. I find myself playing or practicing and suddenly realize I am thinking about my son. I don’t know how it would affect the music specifically, only that I believe it can only make it better. I could do more, but this is going to be a long post already… or IS, already... So, after Q&A we get to line up and get an autograph, an exclusive VIP poster, and a picture with Adam. The Q&A lasted longer than they expected (Adam having more fun than he planned, maybe?) so we only got one item autographed. Posters, baby onesies, vinyls, and even a couple skulls were all signed. It was great watching him interact with his very excited fans. He had a smile on his face the whole time and made sure whoever he was talking to, got his undivided attention. When that was finished up and Adam had departed (seriously, I could keep talking about how cool this was, but you wouldn’t believe me and I can’t do it justice) and we were waiting to depart for sound check, we got our gift bags: an exclusive VIP shirt, sticker, and tote bag. As I mentioned before, they felt bad about the delayed start, so added some things: a keychain, a beanie, and an iphone case. Scored big time! If this is how it’s going to be, I hope your VIP experience is delayed as well. Taken to sound check. We could hear Danny pounding away while we walked outside and in through the main entrance. Got to hear Hooker and Pushit, with a short Schism jam. And some new riffs. Holy hell… if this is the base for what we have to look forward to? It was almost ethereal in sound. Don’t know how to describe it adequately. I am truly sorry that I can’t give you a better idea of what it was like. Anyway… Maynard wasn’t there. Adam told us that his throat was fucked and he wanted to save it for the show tonight. Fine by me, saving it for the real deal. It didn’t take away from the experience. Justin’s trimmed beard, gentlemanly hairdo, and specs did him right, and was disarming when coupled with this bounding bass rhythms. Back to the CHAMPIONS ROOM to gaze at some video props. The life-size model of the Schism dude was there, as well as one of the bloated corporate – suit wearing fat cats from Parabol. Juan (our guide and band attaché for the day) was security for these props. It was great fun watching him cringe when people got too close. All in good fun though. He was awesome. Thanks for the good times, Juan!
ïîëíàÿ âåðñèÿ ñòðàíèöû