Ôîðóì » Äðóãàÿ ìóçûêà - Non-Pumpkins » Tool (ïðîäîëæåíèå) » Îòâåòèòü

Tool (ïðîäîëæåíèå)

Andy: Ïðî èíñòðóìåíò.

Îòâåòîâ - 294, ñòð: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 All

Ziggy Pop: on the Joe Rogan Experience episode #400 they announced that they are going to have Maynard James Keenan back on before the end of the month

Ziggy Pop:

Ziggy Pop: A Perfect Circle_2013_"By & Down"_(single) http://rghost.ru/49367827 http://www60.zippyshare.com/v/67196778/file.html


Ziggy Pop: Hear A Perfect Circle's First New Song in 10 Years, 'By and Down' http://www.spin.com/articles/a-perfect-circle-by-and-down-stream-three-sixty-greatest-hits/

Ziggy Pop: ARTISTdirect is sharing "Judith" from the upcoming release "Mer de Noms Live" click here

Ziggy Pop: 23 October, 2013 TOOL MAKING HEADWAY WITH NEW MATERIAL A couple of weeks ago I visited the Tool loft to try and get some kind of idea as to how things were progressing with the writing sessions now that the band was back hard at it. Well, I am happy to report that there has indeed been a lot of progress as far as new material goes, especially with the lengthy so-called "epic' piece that the guys have been arranging for quite some time now. Shortly after I arrived, before taking to their respective instruments, Adam suggested that everyone should first have a listen to what they had recorded during the previous session in order to make sure that all were in agreement with certain recently added sections. And listen they did. In fact, to give you some idea - my parking meter expired twice before they were done. And judging from the smiles on their faces, it seemed that, for the most part, Danny, Adam and Justin liked very much what they were hearing and that after some finishing touches, the 'epic' tune would be ready for Maynard to do his thing. (During some of the more melodic passages, I was trying to envision the vocals which, to me, brings it all together.) After a bit of discussion about some rapid-fire triplets in one section, I asked Danny if he was going to be able to knock out the piece in one take when it came time to track it? His response was to smile and bury his head in his hands, which I will let the readers interpret for themselves. As for the song itself, without giving too much away, it features complex time signatures, interesting harmonic structure and expanding effects processing - similar to what fans of Tool have come to expect - only now, perhaps not surprisingly, the band has taken it to the next level. Okay, having given you this bit of an update, please note that I am NOT suggesting in any way that the band is ready to go into the studio any time soon. I honestly have no idea as far as any recording timetables go. I am also not sure how many other songs are near completion at this point. Nor do I know at what stage the vocals might be at for ANY of the new material. All I am saying is that as far as this one particular song goes (albeit, a very lengthy one), it was a LOT closer to being finished (instrumentally, speaking) than the last time that I heard it, and that fans of Tool's music will certainly not be disappointed.

Ziggy Pop:

Ziggy Pop: 01. The Green Valley 02. Tiny Monsters 03. Vagina Mine 04. Dozo 05. Toma 06. The Rapture 07. The Weaver 08. Rev 20:20 09. Momma Sed 10. Oceans 11. Monsoons 12. Horizons 13. Conditions of My Parole 14. Man Overboard 15. Telling Ghosts 16. Undertaker 17. Tumbleweed amazon

Ziggy Pop: A Perfect Circle Co-Founder: Hits Album a 'Semi-Tearjerking Exercise' Billy Howerdel talks new music, Ashes Divide and more - What about future recording plans with APC? - I hope to, but I know Maynard is in full Tool mode right now. They’re writing a new record, and I have given him some songs that maybe he’s going to look at, but I don’t know how he does with juggling those things at the same time. I’d like to get an APC record underway. But I don’t know – I’m just leaving it up to him and what his schedule allows. I’ll be there when he’s available. RS

Ziggy Pop: ADAM'S HANDIWORK FOR KORIN'S BABY SHOWER In case you didn't see it, here's the pumpkin carved by ADAM for the KORIN JONES "1960s HAPPY HALLOWEEN HOUSEWIFE BABY SHOWER." Photo by Adam Jones

Ziggy Pop: Puscifer Puscifer's 8-Ball Bail Bonds--The Berger Barns Live in Phoenix DETAILS Format: LP Label: Puscifer Entertainment Release type: RSD Exclusive Release More Info: Puscifer live in Phoenix featuring live "country" versions of previously released songs. SIDE A: "Vagina Mine", "DOZO", "Sour Grapes", "World Up My Ass", "Queen B" SIDE B: "Drunk with Power", "Trekka", "Rev 22:20", "Cuntry Boner" http://www.recordstoreday.com/SpecialRelease/6443

Ziggy Pop: a photo taken from the Tool Loft which includes a number of synths (from left to right: Serge Modular, Moog Mrk II Modular, Buchla 200, The Toolbox Synth, Dakota (my dog – on couch), Roland Modular, Buchla/Oberhiem OBMX, Waldorf Q, Buchla MArimba Lumina (barely showing next to left KRK monitor0 API mixing console once belonging to Rick James, EMS Synthi 100) Peter Grenader on Danny’s Toolbox Synth an exclusive insight into the Toolbox Synth that he designed for Danny prior to the recent Australia/NZ/Japan Tool tour "I met Danny Carey through Skinny Puppy’s cEvin Key, who I had partnered with on the reissue of two of our modules – the Model 15 VCO and Model 37 LFO via Subconscious Communication. I was originally brought to the Tool studio in Hollywood to give them both a quick run through of Danny’s Buchla 200, specifically the MARF module – a very rare contraption which I had programming experience with. This led Danny to contract me to repair some of his analog arsenal, which runs deep. I hit it off with Danny immediately. I’ve been in the synth building business for over ten years and in the process I’ve had the good fortune of working with some famous musicians and I can say that Danny is a refreshing exception to any stereotype you may wish to apply to artists of this calibre. He does not take himself overly seriously, approaches his career with humility and looks down to no one, proving this by the sincere and gracious respect he grants to everyone he deals with. I just wanted to premise with this information, to verify that everything you’ve probably heard about him that backs up this confession is 100% true. He is a seriously stellar individual by every measure. Along the way of doing these repairs, he mentioned that he had been buying up some of my Plan B/EAR analog synth modules as he found them on eBay and in that conversation he expressed interest in the possibility of putting a performance system together to replace the sSnthi AKS Tool had been using live for years. This is where I employed the benefit of my own experience – I didn’t push him on it. I assumed if he was serious that I would hear about it again and felt that was the best way to handle it. A few weeks passed, and he indeed expressed his intention and that’s when we got serious – as we had to: the system would be required for their 2013 Australian/New Zealand/Japan tour which was 3 1/2 weeks away. I immediately blocked off this time and set off to create an instrument which not only complimented Tool’s unique timbral legacy but offered integration possibilities for both electronic and acoustic drums. This began with a tasteful yet heaping swath of bling – the case – and for that I contracted my long time friend and unquestionable genius composer/sculptor/instrument designer Chas Smith, who conceptualized what would become this masterpiece of aluminum and stainless steel three weeks later. He opted for Danny’s favorite color (Laker purple) for the primary finish and embellished it with a unique polished 1/4 inch thick plasma cut aluminum Tool logo gracing it’s back. The 3/8 inch aluminum plates which make up it’s body are held together by 124 inset stainless steel socket bolts – much more than necessary, but what you come to expect when an artist conjures a box. Further modelling came with the 1/2 inch grooves routed into the body plates. Nine groves per side, commensurate with Tool’s nonogon (nine sided) logo arranged in a 1, 2, 3, 2, 1 pattern with obvious numerology attached. Concurrent to that, I had a hell of a lot of work on my end and this is where working with Danny paid dividends as he placed his complete trust in me and stayed out of my way except when needed, which is exactly what I require when faced with these sorts of challenges. I’m not necessarily proud of this personality trait, I have however come to realize it’s a rather indelible marking. I knew I could call him with little warning and he would make himself available, which he did on countless occasions at all quadrants of the clock. Along with my preparing my own modules, a challenge as some of them had not been produced in years, I knew that we would need more than I had to offer and the final result in this co-op manifested – one row of the four consisted of instruments by friends and fellow manufactures Malekko Heavy Industry, Make Noise, Doepfer and Intelligel. Within my own gear, a few were new and had never been built before – namely the Model 7 ELF Panner, The Model 12 Mark II Dual filter and Model 11/13 Mark II Evil Twin Filter, which were handmade SMT protoptypes using production grade printed circuit boards as I could not risk the complications of point to point perfboards facing the abuse of baggage handlers and Customs inspection. Long story shortened, we made it. I received the case on time from Chas and the module preparation completed, I had three days before their departure to Australia for the gargantuan task of wiring the chassis for power, testing and conducting a brief summary with Danny on it’s operation at the Tool man cave before we packed it into it’s matching purple road case – literally 90 minutes before he left for the airport. Being thorough, Danny videotaped the entire three hour session which he reviewed extensively on the plane trip over the pond. Job done and challenge met, any hope of relaxation after this three week ordeal vanished when I received news from Danny a few days after he and it shipped off that the instrument was held up at Australian Customs and when finally released days later, ferried to the wrong city. After awakening from the coma that proceeded this email (kidding, but just) it was Carey’s long time friend cEvin Key who sent me an image of Danny with the instrument in the green room of the Rod Laver Arena in Melbourne. It had arrived just an hour before their soundcheck for the evening’s performance. What echoed through the world then was not the synth, but the sound of my other shoe dropping. It was an amazing experience, with an amazing set of partners, the apex being one of the most legendary drummers we have known. A true gentleman who I am both humbled and honored to call a friend. I think I speak for the world when I say I cannot wait to hear where his mind takes this 50 pound pile of aluminum, stainless steel and silicon."

Coma: Ziggy Pop ïèøåò: adam jones, october êàêàÿ ÷óäåñíàÿ òûêâà!!!

Ziggy Pop: Coma ïèøåò: êàêàÿ ÷óäåñíàÿ òûêâà!!! â äåêàáðå âðîäå ðîäèòüñÿ äîëæåí=)

Ziggy Pop: INTERVIEW WITH A PERFECT CIRCLE’S BILLY HOWERDEL: NEW ALBUM, WORKING WITH AXL ROSE & JOSH FREESE’S DEPARTURE Published On November 4, 2013 - Yeah, little did they know a little bit after that you’d be playing with A Perfect Circle, pretty funny. My last question, I’ll admit a Tool question again, you mentioned in a recent interview again that Maynard is in full Tool mode and that’s why he can’t do [a new album for] A Perfect Circle right now. Do you mean he’s actually writing with them at this point? - I thought it was common knowledge that those guys are putting out a record next year, so he’s been writing for a bit. http://www.alternativenation.net/?p=37905

Ziggy Pop: Maynard on Joe Rogan Experience watch the stream here: http://www.ustream.tv/joerogan

Ziggy Pop:

Ziggy Pop: Maynard James Keenan & Jane's Addiction - "Kashmir" (Live 2003) [Led Zeppelin Cover]

Ziggy Pop: âîò òàêîå âñïëûëî: "Mer De Noms Demos Unmixed 12-21-1999" 01 Hollow 02 Magdalena 03 Rose 04 Judith 05 Orestes 06 3 Libras 07 Sleeping Beauty 08 Thomas 09 Surrender (Thinking Of You) 10 Brena 11 Army (instrumental) 320 http://rusfolder.com/38786155 ðàçíèöû íèêàêîé íåò ìåæäó äåìêàìè è äåáþòíûì àëüáîìîì, ðàçâå ÷òî â çâó÷àíèè. Íàèáîëüøèé èíòåðåñ ïðåäñòàâëÿåò êîíå÷íî æå èíñòðóìåíòàëüíûé òðåê "Army" (5:05)

Ziggy Pop: MAYNARD JAMES KENNAN SAYS NEXT TOOL ALBUM IS “A LONG & VERY TEDIOUS PROCESS” Even though Maynard James Kennan has been been active with A Perfect Circle and Puscifer, he hasn’t released an album with Tool since 2006. In a new interview with Rolling Stone, Kennan discussed why Tool has been so inactive: “I don’t write the music. They write the music. I wait for them to bring music to me. They tend to go back over and over stuff. It’s a long process. For a person like me, it can be a very tedious process.” Kennan also added: “In some ways, they are bigger perfectionists. But you can only help support their talent so long. They don’t have to go through it 700 times. They can trust that first thought. But that’s their process, so you gotta let them do it.” And is that process happening? “I couldn’t tell you, However Kennan also wants to continue “pushing boundaries and limitations”. “But as an artist you don’t want to become a greatest hits version of yourself, either. You want to push the boundaries. You want to figure out how can you challenge yourself to discover something new, discover something different about yourself. What are your limitations? What avenues can you push and expand? That is life. I don’t have any interest in coasting yet.” http://www.rollingstone.com/music/news/maynard-james-keenan-on-next-tool-album-a-very-tedious-process-20131113



ïîëíàÿ âåðñèÿ ñòðàíèöû