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Последние НОВОСТИ (продолжение 2)

Zero: Последние НОВОСТИ предыдущая часть

Ответов - 301, стр: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 All

Ziggy Pop: да ты что, он же сейчас пишет исключительно шедевры, никак не меньше!!

Andy: Philosopher пишет: новые песни всё равно 90 % поклонников нахрен не нужны Ты знаешь, я все еще надеюсь.. =))

Philosopher: ну пусть всё это останется на совести Лысого


Jahua: SPITEFACE!?

outoftime: Philosopher пишет: новые песни всё равно 90 % поклонников нахрен не нужны очень даже нужны ! хотя до уровня SD и MCIS и ADORE как до луны , но это же ,ёбтать, риэл джэньюин Зэ Смэшинг Пампкинз и mr. Corgna - итс бэйсик & исэншл парт Откуда блять критиков то развелось стока ? Откуда тинейджерский ангст у дядьки за 40 ?

Desire: Госсамер, не жду. Пускай приятной мечтой останется, хоть бы Лысый и эту песню не спустил в унитаз.

Coma: outoftime пишет: риэл джэньюин Зэ Смэшинг Пампкинз и mr. Corgna - итс бэйсик & исэншл парт outoftime пишет: Откуда блять критиков то развелось стока ? Откуда тинейджерский ангст у дядьки за 40 ? ха-ха-ха-хаа

Philosopher: Корган - Орган

Andy: outoftime пишет: риэл джэньюин Зэ Смэшинг Пампкинз и mr. Corgna - итс бэйсик & исэншл парт ya nihuya ne poniyal!!!111adin

Andy: Desire пишет: хоть бы Лысый и эту песню не спустил в унитаз Её спустит Майк.

Ziggy Pop: Andy пишет: Её спустит Майк. уже журчит вода в толчке и крутится водоворотом

Ziggy Pop: outoftime пишет: Откуда тинейджерский ангст у дядьки за 40 ? мне не нужен тин-энгст в его 43 года, мне нужны цепляющие за душу песни

Philosopher: вы не забывайте что Коргна на пути духовного просветления, он счастлив и поэтому Ziggy Pop пишет: уже журчит вода в толчке и крутится водоворотом

Desire: Корган работает на новым сеплом

Ziggy Pop: Desire пишет: Корган работает на новым семплом о, это гениально!! давайте поапплодируем все дружно ему!! pure geniuos mind

Ziggy Pop: Andy пишет: Ты знаешь, я все еще надеюсь.. =)) не ты один ================== Billy Corgan (OFFICIAL) one other thing i noticed though is that although the 'classics' are always well received, the younger audience seems to be less invested in them than the previous generations before them. this is even more reason for us to push forward into the future and fast. the signs are all there that the moment has come...sink or swim! очередной бред Лысого

Ziggy Pop: KROQ to webcast Pumpkins set tonight Today is the first of two days for the “Almost Acoustic Christmas” festival sponsored by Los Angeles’s KROQ-FM. The Smashing Pumpkins, scheduled to appear onstage at 10:45pm PT, will close out the evening. Video of the concert is being streamed via the KROQ website: http://kroq.radio.com/2010/12/08/live-webcast-21st-annual-kroq-almost-acoustic-christmas/

Ziggy Pop: Almost Acoustic Christmas: “Eye” (featuring backup vocals from the Veronicas) http://yhbt.net/tsp20101211.dab-eye.mp3 “Heavy Metal Machine” http://yhbt.net/tsp20101211.dab-hmm.mp3

Ziggy Pop: First half of Almost Acoustic Christmas rocks although given how many people trickled away by the end of Billy Corgan & Co.’s 11-song closing turn, I suspect the jury may still be out regarding the Pumpkin King soldiering on with new, considerably less powerful players. You can understand the reluctance two decades after the real Chicago thing debuted. At least when he closed up shop the last time, with a pair of shows two years ago at this same venue, his attempt to pull a Pretenders still had Jimmy Chamberlin on drums, plus all of No Doubt’s auxiliary filling in the blanks. Now Corgan is backed by Mike Byrne, a ham-fisted drummer of little finesse, and flanked by what seem like junior apprentices: guitarist Jeff Schroeder, merely a pale imitation of his boss, and bassist Nicole Fiorentino, functioning as eye candy more than anchor (yet she doesn’t have half as much mystique as woebegone D’Arcy Wretzky.) It left me perplexed, though their chunky stew can still coalesce into some hearty rocking when Corgan bothers to light a fire under it. Yet, apart from his indelible melodies and occasional Fender flourishes, this doesn’t even sound like the Pumpkins anymore, which I bet is his point; he’s rarely seemed in a better mood on stage, so maybe he’s finally achieving some Zen autonomy at last with this lineup. I’m trying to reserve judgment, see where this Pumpkins 3.0 (4.0? higher?) might lead. But so far it feels too much like a cheat: “Bullet with Butterfly Wings” was recklessly rushed (and thus less impactful), “Tonight, Tonight” had no sense of whirlwind romantic urgency, and “Today” was borderline amateurish. And still I wish they’d selected more songs like those. That’s my other beef: when initially presenting a newly carved Pumpkins, stuff its guts with as many Big Ones as possible. I know Corgan insists on chasing his idiosyncratic muse — it isn’t his style to leave off “Tarantula” and “Stand Inside Your Love” to make room for more popular fare like “Disarm” and “Cherub Rock” and “Zero,” all missing here. But this time that move was a mistake, and he failed to maintain audience interest. I wanted to leave after his rendition of Fleetwood Mac’s “Landslide,” too; it’s the only thing I’ll remember from this set this time next year. http://soundcheck.ocregister.com/2010/12/12/first-half-of-almost-acoustic-christmas-rocks/40774/

Andy: Billy Corgan (OFFICIAL) pt 5: some people left early, which was strange because that is almost never the case with us. i honestly felt like it was yet another indication that the past is quickly fading, and it is time for us to go over the cliff with new SP, which is honestly really exciting. when i started in 1985, the idea was you did what …you had to do to make sure people weren't leaving. http://www.facebook.com/permalink.php?story_fbid=167288786640288&id=111014628968088 Мне вот интересно, он действительно так думает или только хочет так думать?



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